Kirk Gibson is sitting in the visitors' dugout two hours before game time. The Arizona Diamondbacks manager is watching his players stretch and take batting practice before they meet the Dodgers in an early-season divisional match-up.
It's disconcerting to see Gibson in Dodger Stadium wearing road gray and red. He will forever be a hero in Los Angeles because of one indelible moment in one impossible season. In 1988, Gibson carried an undermanned Dodgers team to the NL pennant, past the heavily favored Mets, and into the World Series against the even more heavily favored Oakland A's.
The effort had so physically punished Gibson's legs that he could not walk out onto the field for the player introductions before Game 1 of the Series. He was not in the starting lineup; it was unclear whether he would be able to play at all.
Somehow, Gibson summoned the strength to pinch-hit with two outs in the bottom of the ninth inning, the Dodgers trailing by one run. He hobbled to the plate and looked terribly off-balance early in the count, squibbing weak foul balls against Dennis Eckersley, the best closer in baseball.
Then came Eckersley's 3-2 offering — and instant immortality.
You've seen the replay a million times. Gibson awkwardly reaches down and muscles the ball over the head of right-fielder Jose Canseco and into the stands next to the visiting team's bullpen.
He gimps around the bases, punching his fist in the air. All of Dodger Stadium — all of Los Angeles — erupts as Vin Scully, the bard of Chavez Ravine, punctuates the moment: "She is ... GAAAWWWNNN!"
In the distance the brake lights of a car flash red, as if the early-exiting driver realized, "Oh, crap, we just missed the greatest single moment in L.A. Dodger history."
Gibson never played again in the Series. He didn't have to. A team with a lineup featuring the likes of Danny Heep, Mickey Hatcher and Jeff Hamilton — what broadcaster Bob Costas accurately described as one of the worst ever fielded in the World Series – finished off the powerhouse A's with Canseco, Mark McGwire, Dave Parker, Terry Steinbach, and Carney Lansford in five games.
Some 25 years later, the Dodgers have yet to win another World Series. Heck, they've yet to return to the World Series.
On this day, as the afternoon sun bakes the dugout, I ask Gibson if he thinks about the home run when he returns to Dodger Stadium. He nods and peers down the right-field foul line. "I walk in here and always look up at where I hit the ball," he said. "I kind of named it myself: seat 88 for 1988."
Gibson has probably talked about this moment a thousand times, maybe more, but he seems in no hurry. "It's very vivid to this day," he continued. "I was in the locker room listening to Vin [Scully] on the TV saying, 'Kirk Gibson will not be hitting tonight,' and I just said, 'My ass.' I really had no business going up there to the plate. But, you know, it's what I live for. I felt like my teammates wanted me to do it."
I've arranged to interview Gibson because I'm trying to figure out what happened to the home run ball after it disappeared into the scrum in right field. Gibson himself never saw the ball again, and no fan came forward that evening, or the next day, claiming to have recovered it.
It is gone, permanently.
But this quest, I'm beginning to realize, is also personal. I had tickets to the very section where Gibson deposited his homer, but I didn't attend the game. I can recall exactly where I was when he hit it out — which might explain why, 25 years later, I am trying to locate a ball that will never be found.
* * *
My sister had gone into the back bedroom of our parents' apartment and shot herself.
The phone call came early in the morning on Sept. 5, 1986. I was immersed in the drudgery that paid my share of the rent, proofreading financial documents for a printing company, when my boss pulled me aside. On the line was my family from 3,000 miles away. My sister had gone into the back bedroom of our parents' apartment and shot herself.
This is what shock looks like: I hung up the phone, returned to my desk, picked up a piece of paper, and began to proofread it. One of my roommates had to rescue me from myself, ferry me to LAX, and put me on a plane to New York.
My sister and I were two years apart and very close. The one difference was that Margot appeared to have won the genetic lottery. She had long black hair that she parted in the middle, and played a mean game of basketball (and field hockey and lacrosse). She was pretty and smart.
Mental illness is none of those. It is wicked and merciless. It preyed on my sister until, on the morning she was scheduled to enter a facility for treatment, she ended her life. She would have turned 26 the following week.
I was 24 and living in a strange city far from my family. Here's a news flash: I was unhinged for a while. I drank to forget everything and drank to remember every detail. I ingested a variety of illegal substances that numbed the mind. I slept 12 hours a day, but was always exhausted. When people spoke to me, their words sounded like they were coming from underwater.
I didn't recover so much as endure, one step forward to three staggers backward. I read everything I could in a futile attempt to comprehend her death, from "When Bad Things Happen to Good People" to Emile Durkheim's classic, groundbreaking treatise on suicide. I memorized the so-called five stages of grief: denial, anger, bargaining, depression, and acceptance.
"Stages" implies a beginning and an end. Grief after suicide — and, I imagine, after other types of death — does not parse so neatly. A year passed, then more, and the pain didn't diminish. What I was left with was unrelenting sadness and a slew of unanswerable questions: Why? How did we not see her extreme agony?
In the spring of 1988, I found myself living in Echo Park, a rough-and-tumble neighborhood in northeast Los Angeles that was years from hipster gentrification. I could walk from my rental to Dodger Stadium in about 10 minutes. The sprawling ballyard was a revelation compared to the stadium of my youth, cramped and noisy Shea, hard by the subway and LaGuardia.
Going to Dodger games became therapy and escape. Looking out from the top level, downtown L.A. appeared as a breathtaking, steel-and-glass silhouette. From the cheap seats high above home plate, the San Gabriel Mountains shimmered with an almighty glow. The old-timey organ music, the straw bowler-wearing ushers, and the smell of grilled Dodger Dogs gave the place a cozy feel.

















