The night Silky confronted an off-duty police officer in the parking lot outside the International House of Pancakes, nobody was trying to play like he had what it takes to go the distance in this life. Silky, whose given name was Rickey Lee Wolfe, had grown up in a shack with no running water 40 miles outside of Lake Charles, La. His nickname memorialized the fact that he was extraordinarily "smooth," according to his wife, who wasn't necessarily saying that in a way that endorsed his kind of smoothness. More like in a way that suggested his rap sheet might contain some understatement in the burglary category. This was back in the early 1990s, and Silky had found his way to Austin, Texas, which was smooth in its own way at the time, before all the excitement you hear so much about now with the food and the tech companies and the food and the racetrack and the food and the music festivals and the food and the food and the food. It was a good place to lay low, in other words, but things hadn't worked out that way for Silky, and so a call about a robbery attempt in the pancake house parking lot led to his confrontation with the off-duty cop, which led to a bullet in his chest (right through the tattoo that said "Wolfe"), which led to a short and bloody drive terminating on some unfortunate citizen's front lawn, which led to the mortal end at age 34 of Rickey Lee "Silky" Wolfe, a sequence of events later summarized by a police official as "unfortunate that it had to come to that."
But Silky had a little sister named Ann, and Ann might just have what it takes. She runs a gym with her name and picture up on the entrance, "Ann Wolfe Boxing & Fitness." It's at the indoor shopping mall on the near north side of Austin, in the old suburbs between the downtown newness and the outer bigness. The department stores are gone, so the shops are all clustered around one wing. There's a jewelry store and a sneaker store and El Palacio de la Quinceanera. There's no Sephora; there's Perfume Palace. Even the week before Christmas, Highland Mall feels like the most unintentionally tranquil place in town until around 4 in the afternoon, which is when Ann lifts the grate on her gym and puts the stereo on super crazy-loud. Sometimes it's upbeat blues; always it's just loud as all get out. Oh God, it's loud. So loud you can't think, but then that's the whole idea. Ann has already done plenty of thinking, and she conveys what her fighters need to know through a glare she uses as a sort of visual punctuation superseding the actual words being punctuated.
"A lot of people say they ain't scared of nothing, but they ain't telling the truth," she might say.
She has told the story of the turning point many times. She knows it has power.

Huh. So what's she scared of?
"Nothing."
Then she'll tilt her head down 15 degrees or so, with the light glinting off her sequined black painter's cap, and do the glare. The glare came from growing up with more than one X chromosome under the same circumstances that produced Silky and four other kids who, on lucky days, might split a chocolate bar six ways. The family's business interests included hauling rice, peeling crawfish and selling drugs. Ann dropped out of the seventh grade and did some of all those things. Her mother died of cancer and her father died of murder. Next came years of wandering, incarceration, marriage to a dealer, the birth of two daughters. She has told the story of the turning point many times. She knows it has power. It takes place in the waiting room of the emergency center at the public hospital in downtown Austin, in a visit around the time of (but unrelated to) her brother's thing-it-was-unfortunate-it-had-to-come-to. She was living on the streets, and the waiting room had a roof, so she took her girls there to get some sleep. At some point in the night, two women boxing appeared on the television screen.
"I was like, ‘I wonder if they're getting paid,'" she says.
The answer: Not much! But still yes. So at sunup the next morning (or maybe the morning after; it was a long time ago), Ann made her way to a rec center in East Austin, where she waited all the livelong day to meet a trainer named Pops. Pops, whose real name is Donald Billingsley, looks like his nickname should be Donald Billingsley to make room for his real name to be Pops. He has leathery skin, a shock of white hair pressed under a Yankee cap and an I-shit-you-not twinkle in his eye. He is exceedingly companionable, open-spirited and quick to laugh, even when describing how he used to recruit boxers from the special ed classes at LBJ High School and sometimes whip them with a belt.
Pops likes to tell two stories about his own start in boxing. In the first story, he went to settle some teenage business with a person called Dudelum (or perhaps Doodlum; Pops is confident of the pronunciation, but never got anything in writing from the kid), who eventually backed down from his position in their dispute. Some indeterminate time later, Pops got the wind knocked out of him doing a belly flop at the neighborhood pool and was pulled from the water by ... would you believe? ... this very same Dudelum. The lesson, Pops says, was that "you never know who's going to help you."
In the second story, Pops won a fight in the ring. "I'm going to whoop this dude so bad his own people will disown him," he bragged before the rematch, but instead the dude whooped Pops, and from that, he says, "I learned you can beat a dude one time, but he might whoop you the next time."
So there she stood, mean-eyed young Ann Wolfe, cooling her heels outside the Montopolis Rec Center, when Pops, wizened in the ways of never knowing who's going to help you or whoop you, pulled up in a van, and a dozen or so young boys came spilling out. No matter how much Pops likes to talk about the belt-whipping part of his dealings with those boys, of course that's not how he got them to follow him around. He'd meet a kid like Curtis Meeks, whose life at the Santa Rita Courts housing project involved Payless Shoes, charity gifts at Christmas, drug transactions and no dad. First he'd talk to the kid's mother; then he'd take the kid to church for The Word and to Church's for the fried chicken; and only then he'd put the kid in the ring.
Meeks got pretty good. He eventually went 9-1 as a light welterweight. And he became the lifelong sparring partner and confidant to a much more fearsome fighter by the name of James Kirkland.
"The golden goose is Kirkland. He the golden child."

"The golden goose is Kirkland," Meeks says. "He the golden child."
At that point, though, Kirkland was most generously characterized as a neighborhood tough. The field of bullying in those days, before the revolutionary innovations brought about by social media, required much simpler qualifications, at which he excelled. He remembers himself as more of a taunter than a bully, provoking fights by "knick-knacking, pulling strings here, everywhere I went," but at a certain point that's splitting hairs. The relevant facts are: He had a perpetual glower. And he hit other kids. When Pops found him, by his own account, he was throwing rocks at houses.
"Son, can you box?" Pops asked.
"No," Kirkland said, "but I sure can fight."
So Pops brought him to the rec center, opened a door he'd never noticed and offered him $5 to fight Meeks, who was a few months older.
"I walked up to him, like, ‘What's up?'" Kirkland says. "And Pops said, ‘No, no, we're going put gloves on and all this.'
It was a beautiful experience. The first time, my nose was busted. But I said, ‘You give me another five bucks, I'll come back tomorrow and fight him again.'"
Sure enough, he did come back, and he kept coming back, though his style in the ring never developed much beyond his style outside the ring. He just loved to hit people. And, much to the dismay of Pops, he even loved to get hit. He thought the cuts and bruises made him look like a fighter, which, while true enough, did not much account for the tradeoffs. His natural stance was not so much a stance as a steady advance, leading with his left hand and his glowering face. "When that bell said ding, he'd go out there to fight," Pops says. "He wasn't going to touch it up and see what the other dude had."
Outside the rec center that fine day, Ann sized up Pops and the boys as they tumbled out of the van, and vice versa all the way around, and everybody came away unimpressed.
Ann "wasn't like a fighter," Kirkland remembers thinking. "You looked at her as somebody who was just getting in shape."
Ann, for her part, almost but not quite yet a fighter herself, remembers thinking: "Look at all those dirty-ass little kids."
Pops warned Ann there wasn't any money in the sport for women, but he agreed to train her anyway. That wasn't nothing. Plenty of coaches refuse to work with women for philosophical reasons (the philosophy of sexism), and plenty more don't want to waste time chasing purses that amount to a fraction of the money put up for men. Ann knew better than to trifle with the opportunity. "In order to come through there, your ass had to fight," she says. "There wasn't no playing. You just had to have a toughness about yourself."
For a while there, it looked like she might even prove him wrong on the money thing. At that point, 20 years ago, the sport was still a cultural force, and women were finally coming up, becoming more common, even earning some money. In 1997, when Mike Tyson and Evander Holyfield fought for the heavyweight championship in Las Vegas, generating revenues of more than $200 million, the promoters even put the sport's great female hope, Christy Martin, on the undercard. The campaign to make women's boxing an Olympic event was gathering momentum. Martin made the cover of Sports Illustrated.
Ann only fought a handful of amateur matches, including a loss by disqualification in the final of the 1998 U.S. National Championships. Then she turned pro and, Pops says, "went around the country knocking out everything I put in front of her."
In October 1998, Ann won her first professional fight at 157 pounds in a split decision over a woman named Brenda Bell Drexel at Seven Feathers Casino Resort in Canyonville, Ore. The next year she won a unanimous decision in Seattle, and the next year a technical knockout in Houston. The loser of that one, Demetra Jones, who was making her debut that day, decided she'd had enough of boxing. Ann went on to knock out, technically or otherwise, Mary Ann Almager, Gina Nicholas, Kelly Whaley, Patricia Linton, Vienna Williams, Diane Clark, Gina Nicholas (again), Shirvelle Williams, Marsha Valley, Genevia Buckhalter and Marsha Valley (again). She won titles in multiple weight divisions. Her total earnings, by her own contemporaneous estimate, amounted to about $3,000, or $100 a round. "I'm one of the best in the world, but boxers like me will fight for a hamburger," she told a newspaperman from the Calgary Herald in 2001. "It's pitiful to use women like this."
"Boxers like me will fight for a hamburger. It's pitiful to use women like this."
Still, she needed the hamburgers, and so did her daughters, who were about 10 and 12 at the time, so she kept fighting. Boxing writers, when they noticed her, reached for superlatives. One called her punches "murderous." She lost only once during that streak, to a prison guard named Valerie Mahfood. A few years later, in Biloxi, Miss., she booked a rematch on the undercard of the biggest to-do in women's boxing. The headliners were Christy Martin and Laila Ali, daughter of The Greatest, who attended the match, despite having told a filmmaker in 1978 that "women are not made to be hit in the breast and face like that." The headliners were each making $250,000 for "Ladies Night at the Mississippi Coast Coliseum." Martin, 35 at the time, was predicting the demise of professional women's boxing. Ali, 25, was predicting the ascent of her own bad self. They were both right. In the fourth round, Martin watched on one knee as the referee counted to 10.
"It's on," said the world. Ann, who'd won a decision earlier in the night over Mahfood, had good reason to believe she would be put forward next, as the tough scrapper from the streets against the telegenic fighter with the most famous last name in the sport, for a six- or maybe even seven-figure paycheck. Sort of like playing the Frazier to Laila's Ali.
On May 8, 2004, she clarified her qualifications for the spotlight. This was back in Biloxi, against Vonda Ward, a 6'6 former basketball center for the University of Tennessee. The promoters were calling Ward, who was from Cleveland, Ohio, the "All-American Girl." She wore red, white and blue trunks and dropped several pounds to get under the 175-pound light heavyweight limit. Ann, who stands 5'9, weighed in at 172 pounds. She dressed in black. The match did not last a round.
"Ohhhhh!" the TV man said. "Big right hand! One punch! That is it! Forget about the count. It is over. Tim-ber!"
Ward, who had been undefeated in 18 fights, left for the hospital on a stretcher. Before the reporters closed their notebooks, Ann told them Laila Ali "needs to fight me and stop avoiding me." The timing was not going to get any better. The movie theaters were showing trailers for "Million Dollar Baby." But Ali decided it would be better to beat up a 36-year-old computer technician named CaSandra Geiggar instead. After four more fights, none of them against Ann Wolfe, Ali retired, undefeated and still very beautiful, to go Dancing with the Stars. Before long she started showing up in ads for Vaseline and Dove and those slimming hoagies from Subway.
For Ann, who was reportedly the only fighter of either sex in the history of the sport to hold four world titles in four weight divisions at the same time, an alphabet soup of sanctioning bodies and classifications ranging from light middleweight to light heavyweight — other opportunities emerged. In the summer of 2005, after beating Valerie Mahfood one more time for good measure, she announced plans to fight a person by the name of Roy "Bo" Skipper, a 36-year-old cruiserweight with a record of 9-5-2 who accurately described himself as a "man." The authorities in Mississippi, which, according to Education Week, has the worst school system in the country, agreed to sanction the fight. The promoters planned to call it "Ann VS Man."
The purse was set at $100,000. Skipper gave the wire services some good lines about the uppitiness of the ladies these days and how it needs to get put to a stop. As a matter of general principle, the battle of the sexes boxing concept made a lot of people nervous, though it seemed clear the woman would be the one dishing out the injuries in this particular matchup. In the end the fight never did happen, for which the world may thank Hurricane Katrina. Later, Ann shrugged off a semi-flippant challenge from another male fighter, Mike Tyson, who outweighs her by a hundred pounds and is a convicted rapist. She had made her point, but not much money. "I don't think what I've done could be repeated in this lifetime," she says. "I won't live to see it." She could have stopped there, and boxing fans would remember her for a while, and they would say she was great, for a woman.
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