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Come Fan with UsFriday, June 19, 2026

Learning to Pitch

Remembering a summer with Bob Welch

We met in the Clark Fork. That's the Clark Fork of the Columbia River. I had gone back to school for a graduate degree, was training hard for a 50-mile trail race, and was wearing only tiny shorts and a running bra. I'd just finished a long run and had gone down to the river to soak my middle-aged legs in the rush and gurgle of nippy water. I kicked off my running shoes and picked my way gingerly through the rocks that lined the shore, yelping at the cold, my arms helicoptering to keep from falling. The air was hot, the sun soaked my skin, and soon enough my legs were comfortably numb. A trio of fisherman stood in the water up river. This is not unusual, even in the middle of town. Missoula, Montana is a town where people do things like run 50-mile races and stand in rivers in deep summer.

Next thing, one of the fisherman, a white guy and older than the other two, had moved downstream. I heard him call out to the young fellows: "No question about it, this is the best view you'll get fishing anywhere."

"Why, Bob?"

Laughter. No answer.

His view was of the traffic going over the bridge, the hotel behind him, and, well, me.

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He was aloof, maybe shy. I asked him what position he'd played.

One of the young pups bounded over and started barking out questions: Are you a runner? Do you live here?

I was, I did. He was a baseball player, as was the other kid (there just aren't that many black people in Montana; I had already guessed they weren't local). They played for the Ogden Raptors, and were visiting for a three-night series against the Missoula Osprey. This was the lowest rung of minor league baseball. Rookie league.

"Who's the old dude?" I asked, gesturing to the man who had gone downstream.

"He's our coach. He's a legend."

I looked at him. Tall, rangy, bald.

"What's his name?"

"Bob Welch. Played for the Dodgers and the A's."

"Never heard of him."

"He won the Cy Young Award," the young pup whispered, suddenly shy.

"Oh."

I'd heard of that.

So, after a while, after I'd caught him looking at me a few times, I walked over and started talking to him, the old guy. He was aloof, maybe shy. I asked him what position he'd played.

He told me. Without comment.

I confessed that I'd watched Major League baseball for only one season: 1986. I was a Mets fan. My future ex-husband liked the Mets and we lived in New York City.

"I played against those guys," he said, and began listing names. I loved big Gary Carter and scrappy Lenny Dykstra. I had been thrilled to discover that Keith Hernandez was a Civil War buff. I grieved at Darryl Strawberry's fall from grace.

The only other baseball I'd watched was when I first moved to Durham, North Carolina. My friend Julius, a historian, and I would go to Bulls games when they were a Single-A team. Julius is the smartest person I know. He would tell me about the Negro Leagues, point out nuances of the game being played, and talk about plays that reminded him of other plays from other games, and then told those stories.

The Bulls got a new stadium and two more A's; Julius moved to Ann Arbor. My connection to baseball dwindled to once a year when, during the Boston Marathon, I looked forward to seeing the folks streaming out of Fenway Park and cheering for us runners.

The rangy man in the river told me that he'd always been a runner. I believed him; he had the long, lean look of someone who could go the distance. He'd once run 17 miles, he told me. Before he got new hips. I didn't tell him that I ran that distance most Sundays.

I had a question. Was the movie "Bull Durham" accurate?

He shook me off. "Would never happen. Not with an older woman. Younger women, sure. But not older."

I'd forgotten that it was a relationship movie I was thinking only about the baseball parts about the culture of the minor leagues, about the zeitgeist.

"Oh," he said. "Yeah, that part was right."

Then I turned to him, faced him, hands on hips. He was more than a foot taller than me.

"You mean those guys" pointing to the pups "wouldn't go for a 43-year-old woman like me?"

The first smile. "Well, I don't know about that," he said. "Did you see how fast they sprinted down here when you got into the river? They might. But a 48-year-old man sure would."

My legs had been appropriately frozen and the guys had to leave for the ballpark. Bob said he'd leave me some tickets, if I wanted to see the game.

It was a Friday night. I had nothing else to do.

* * *

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The game was terrible, and perfect. Five errors on a warm windy night. What I love about baseball is thinking about it: The way everyone gets to specialize, but still has to hit (at least in one league). The notion that each player gets to be Odysseus and make his journey and face his dangers on the difficult path home sparks something in me. I love that for so many men, watching a game reminds them of the history of the sport and makes them nostalgic for the time when they learned to throw and catch with their fathers. The slap of a ball landing neatly in a glove, the back and forth of a game of catch, the kinds of conversational space that opens up it's intimate and intense without seeming so.

So I watched the Ogden Raptors play the Missoula Osprey, happy to be there on a hot summer night. During the game, Bob sent someone to fetch me so I could sit near the dugout. I moved close to the field and Bob came over to talk to me between innings. He asked if he could take me out for a milkshake after the game. He wasn't kidding, and he wasn't being coy, at least about the milkshake. He'd told me right after we'd met that he was a recovering alcoholic. But when it came to asking me out, like a high school boy with hands and feet too big for his body and none of the right words, he looked at the ground when he spoke. The players watched us. One winked.

That night, after dinner, after I'd dropped him off at his motel, I wrote an email to my friends telling them that though I'd finally, for the first time in a while, had a date, and that it was with a retired ballplayer who, while friendly and fit, may not have been the sharpest tool in the shed.

* * *

Bob called the next day. I'd gotten enough writing done that morning, and it being summer and me being in school, I didn't have much planned. He said that he was going to be fishing in the river, in the same spot, if I wanted to come down.

Now I was coy. "I don't know," I said. "Maybe."

But I finished my run at the river. Bob smiled big when he saw me.

"What I'd really like," I told him, "is to learn to throw a baseball."

He wanted to teach me how to fish. I did not want to learn how to fish and demurred, but still, he kept wanting to show me where the critters were likely to be hiding out, how you can tell by the riffles in the water, showing me the rhythmic motion from 10 to 2 o'clock as you let the fly alight. I already knew this. I lived in Missoula; I'd read "A River Runs Through It."

"What I'd really like," I told him, "is to learn to throw a baseball." I throw like a girl. I hate that about myself.

Bob dropped his rod, picked up a rock and put it in my hand. Then he started teaching. "The ball is a piece of chalk in your hand. Hold it like this" he showed me how to grab " lightly," he said, "lightly with two fingers and a thumb. Get these other ones out of the way," he said, making my ring finger and pinkie disappear.

"Ouch," I said.

"Make a circle on the blackboard. When you release it, let it come off your fingertips." I tried. Plunk into the river. I tried again. And again.

After I'd gotten the hang of it, bending my elbow at the top of the arc, he told me to spread my legs. "Now," he said, "put your weight on your back foot. When you move forward, let the inside of your foot roll forward. That's the trick," he said. "It's all about that. Lots of guys just can't get it, that move."

I tried.

"You've got it!" he said, excited. "That's it!"

A couple of times he warned, "I have to touch you is that okay?" If his face hadn't been sunburned, I'd swear he was blushing.

He stood behind me and placed his hands on the bony crest of my hips to show me how to shift my weight. "I do this with the guys," he said. And then he added with a smirk, "But it doesn't feel like this."

"Now," he said, "when you pitch, bring your left knee up to your chest." I told him that my knee doesn't go that high; my legs are runner-tight. He grabbed my left leg and pulled it up, showed me the motion.

"Ouch," I said.

I tried it as he watched. Something was clearly wrong. "Don't just throw it up like that."

Concentrating on getting the leg up, I had stopped thinking about putting it all together.

For an hour, I pitched stones into the river. Bob kept telling me to be more graceful, more feminine. He also told me that I had it. I had the touch, an intuitive way of holding the ball. He had it, he said. Some guys never get it. But still, you need to practice. He'd shake his head, smile, and cast into the river, looking over at me as I practiced firing rocks into the cold mountain water. "That's it, darlin'" he'd offer. "That's it, girl." No one darlin's or girl's me. But he seemed to be getting away with it.

* * *

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After he was done fishing and I'd had enough of practicing we went out to lunch. As I got to know him, I saw that Bob was a little ticcy, in the way pitchers can be. He ordered his fast-food burgers his way with only pickles and mustard not so much because that was how he liked them, but because that way they would have to be made fresh. He wouldn't let the motel housekeeping staff into his room to clean. His nails were bitten practically out of existence. He said he was afraid of the dark.

Over lunch I asked questions about playing major-league baseball. He would answer, but he kept trying to steer the conversation to me. We parried each other's queries. I had, of course, Googled him after our first meeting and had found out some basic facts. I knew generally what he was famous for striking out Reggie Jackson during the 1978 World Series, winning 27 games in one season, winning the Cy Young Award. I wanted to know what he felt was his greatest achievement.

He said that he thought the guys he'd played with would say that he was a good teammate.

This is the kind of answer you rehearse. The kind they teach you, so that you won't sound like an arrogant asshole; the kind of thing people want to hear from sports heroes, who are too often sullied by unsportsmanlike behavior. This is the kind of answer "Bull Durham" made fun of. But when Bob Welch said it, I believed him. I could tell by the way he talked that he had been a good teammate. Not flashy, not glamorous. Just solid. And for one season, spectacular.

"Yeah, whatever," I said. I'd asked an obvious question and was disappointed in myself. "Really. Be specific."

He told me that he'd once pitched a shutout and then hit the winning homer. "That was nice," he said quietly.

"I don't like to talk about the things I've done," he said. "I'll talk for hours about how and when I've screwed up, but when people start going on about the other stuff I just walk away."

"What about when you won the Cy Young Award?"

Big smile. "That was cool."

I asked what he'd gotten for playing in the World Series. He named some number of dollars, a big number.

"No," I said, "I mean, did you get anything? Any thing?" (Me, I run for trophies.)

"Yeah, you get a ring. I have three," he said.

I asked where they were.

"My son has all that crap."

What was it like moving from the Dodgers to Oakland?

"After I got traded I had a good season."

I told him that my college president had been his commissioner of baseball. He asked where I went to school.

How was it, I wanted to know, working with these young players in the rookie league?

It was fun, he said, but also frustrating. They didn't hustle, didn't work that hard. He didn't understand it. His role, as he saw it, was to get them out, to push them up the baseball ladder. "Most of these guys are going to play for a couple of years and then they'll have to get a job," he said, shaking his head as if that was the same as getting syphilis. "Double A ball is where you want to be," he said. He explained that Single-A is for the rookies; Triple-A is filled with ringers, usually players who are good enough to play in the majors occasionally, when needed, but not good enough to be called up permanently.

Bob had the easy assurance of someone who has been gifted with early success. He left Eastern Michigan University for the minor league and then, in less than two years, was playing for the Dodgers. He had only his adolescence and young adulthood to fantasize about being a Major League ballplayer, and then it was real. And then he got to spend 17 years playing a sport that most men have to give up after high school. At age 38, he retired. In midlife he kept playing: skiing, hunting, fishing, buying property and big boy toys, and spending time with his three kids. His face got soft when he talked about his kids.

I asked if he'd made a lot of money.

He said that he'd negotiated a $14 million contract for the last few years he played, and then explained how he requested that it be deferred or something because of some tax or other. My mind glazed over and I said "Never mind."

In a fit of excitement and sudden realization, I asked if he'd ever had a baseball card made of him. Again, not implying in any way that I was a moron, he said, "Yeah, about thirty." Then he told me that they'd just come out with some commemorative old guy cards to put in with those of the current players. "I signed a thousand of them," he said.

When we walked back to his room so that he could get ready to go to the game, he flicked one at me.

It had, you won't be surprised to know, all of his stats. He said they lied about his height. I asked him to sign it for me. I thought it would be ironic and funny. I live in a world where irony is perhaps overvalued.

"No way," he said.

"Come on, sign it."

"No." Terse. Final.

"You signed a thousand of them. Why not mine?"
"It was a gift. I ain't signing it."

He tossed a baseball at me. It was from the Pioneer League, bright white. "Here, you can practice your pitching."

"Will you sign it?"

No, no, no.

* * *

He'd left tickets for me again. I got to the game that night in the top of the seventh, and sat with my feet up on the dugout. Bob came over during a break in the game. I shared with him my newest trenchant insight: "The pitcher kind of has the glamour role, doesn't he?"

He smiled. "I guess so."

"But the catcher's job is harder?"

"No," he said, still smiling, but stern. "I wouldn't say harder. But it is more physically demanding."

"Want a ride after the game?" I asked.

He sure did.

Bob was funny. He was quick and witty in a way that kept surprising me.

We went out for dinner again, but this time it was different. I hate it when women, asked what they like about a man who seems otherwise unattractive, will say, "He's funny." It's the only way to account for the fact that Adam Sandler or Woody Allen has ever had sex.

But, well, Bob was funny. He was quick and witty in a way that kept surprising me. He asked questions. He didn’t seem to have that normal human need to talk about himself. He listened and remembered things. He paid attention, close attention, picked up on and remembered the smallest details. I guessed that this was part of what made him good at his job. He wasn’t so great at conjugating his verbs when he spoke.

I told him that when I'd coached high school cross-country for one season I had my runners do vocabulary drills. I cared more about academics than athletics. I was, at bottom, a nerd.

"Give me some," Bob said.

"What?"

"Vocabulary words."

"Obstreperous," I said.

He asked me to use it in a sentence. I did. He rolled it around his mouth like a marble. I later learned Bob Welch travels with his own pillow and a dog-eared paperback dictionary.

My second book had been published six months before, a memoir about loving animals and men. Just before it came out I'd had lunch with my editor and my agent. I joked that after the book was published I'd never go on another date. My agent scrunched up her face, put her hand on my arm, and said, "Rachel, you're right." My editor, looking on the bright side, said, "Or you'll just have to date men who can't read."

When he saw copies of the book in my apartment, Bob said, "I've read maybe five books in my life, though I did write one." He'd gotten help from New York Times sportswriter George Vecsey to do a memoir about being a young alcoholic. He wanted my book to be the sixth he'd read. He took a copy, even though I'd told him not to.

* * *

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Bob wanted to go fishing the next day. I said that if he didn't make me fish, I'd take him. I could find trails to run while he messed around in the water.

"Can we really go?" he kept asking, like a little kid. You can't say no to someone with that kind of enthusiasm.

While he was at the ballpark that night I asked friends for good fishing spots. Rock Creek, everyone said. It's where Robert Redford filmed part of "A River Runs Through It," even though the book takes place on the Blackfoot. I didn't say I was planning to take a retired baseball player with me.

The worst sin a writer a can commit is a cliché. The trite, the stale, the overused, the tired - these are to be avoided like the plague. They are the kiss of death. When they appear on the computer screen, they can, thankfully, be wiped away with the tap tap tap of a quick finger and a critical eye. But when you commit a cliché in the real world, it remains in the memory. Forget it, and you can generally count on your friends to remind you of those times when you, the author of your own life, slipped into the realm of the lazy and the obvious.

A ballplayer on the road meeting a woman - come on. Annie Savoy is an appealing character, but mostly for her sad and lonely insufficiencies, her charming bad faith, her lack of self-awareness. Bob had told me that there were women like this - Baseball Annies, they called them. The last thing I wanted to be was one of them. I am not made of groupie mettle.

A retired ballplayer. Still fit, still strong, but a man on a road trip, visiting my town. Forget it. Except that nothing I knew about this man fit my image of a ballplayer. He was shy and tentative and awkward.

"Don't you want to kiss me?" I finally said after our second date when I dropped him off at his motel. Not since high school have I been with a man so respectfully unaggressive.

* * *

Bob showed up at my apartment at 7:30 the next morning with coffee and way too much perkiness. He was excited about fishing, excited about the prospect of seeing more of Montana, excited about a date with me. He was way too boisterous, too obstreperous for morning.

We passed a tiny fishing store on the way to Rock Creek, which was a good thing because Bob had bought only a two-day license. The place was run by an older couple. The woman behind the counter went about filling out the paperwork while Bob pumped the man for information about where he might find fish and which kind of thingamabobs he should use to catch them. Then the wife called out that they didn't want to help him too much he worked for the Dodgers.

The man had been watching Bob, trying to place him. "What's his name?" he whispered to me.

When I told him, the guy belted out something about a curve ball. They both lit up and said that Dusty Baker came here to fish. They were Giants fans, and cheerfully scolded Bob for wiping out their team. They pulled out a photo of three men. "The greatest ball player ever," the man said.

"That's debatable," Bob said.

I looked at the photo and could not identify them. One was, apparently, Willie Mays.

Later I asked Bob who he thought was the greatest. He didn't spend a nanosecond thinking about it before he said. "Sandy Koufax." He said, "I was struggling with my curve when I got to LA. Someone on the team said, ‘Go talk to that guy over there.' Sandy Koufax occasionally hung around the field. He taught me. I always used his curveball and we became good friends." That night, in the kitchen of my small apartment, Bob taught me the grip for a four-seam fastball, a slider, and a split-finger something or other. That one kind of hurt.

The fishing people said they hadn't heard from Dusty for a while. Bob asked for the time (he never seemed to know the time) and said that Dusty was probably at the ballpark. "Let's call him."

"Hey," he said into the cell phone, "Guess where I am?" They chatted for a while. Bob looked at me and told Dusty Baker he'd found a great fishing guide. I rolled my eyes. They talked about nothing for a while and then Bob handed the phone to the man in the store.

When we left, Bob looked concerned and wondered how the couple knew he worked for the Dodgers.

"I didn't tell them," I said, a little defensive.

Then he realized that he'd had to list his employer on his fishing license. Bob told me he generally gave fake professions when people asked what he did for work. "I'm often a mailman," he said, with a grin. He hated to be recognized; never mentioned that he'd played ball. I asked if he thought that was typical of people who owned World Series rings. "No," he said, "I don't think so."

Back in the car I commented on what a nice thing he had done for the fishing store people. He looked at me as if he had no idea what I was talking about and put his hand on my leg. "Your legs are harder than mine, stronger," he said, grinning like a teenager.

* * *

While I was running along Rock Creek, Bob caught two fish and released them. He didn't talk about it. Just said he'd caught two fish.

During my run I thought about failure. In running, you can win a race and still fail, if your goal is to run a certain time. With events like high jump and pole vault, an athlete will always finish with a failure even if she beats the competition, she still wants to best her best and tries until she knocks down the bar. Baseball and fishing require a different sort of relationship to failure. The ratio of the times you try to the times you make it is exceptionally high. And so when you succeed, on those rare occasions when everything comes together, what you have are stories. Fish tales and baseball lore are narrative arts that often begin "Remember the time when ..." They are quiet, thoughtful endeavors, without the bruising crashes of football or the feverish pace of basketball.

Each of us had been around enough bases to know how the hours get shorter.

Baseball has provoked so much lyrical prose, I think, because it taps into something, the ring and rhythm of the seasons and the way they align with the budding of the trees and the falling of the leaves. There's something about the game that's close to the natural order: the long waits during which nothing much happens, and then a sudden frenzy of action. It's life-like, baseball.

We met in what I thought were the mid-seasons of our lives, Bob and I, in the momentum of the summer, still full of promise. Each of us had been around enough bases to know how the hours get shorter. We had both found early success and then worked at reinventing ourselves. We had learned how to grab a moment and enjoy it. We were both eager to teach and hungry still to learn.

Bob had been married for a long time and then divorced. I'd been married briefly and had been dating for decades. Even as we aged, our bodies had stayed improbably lean and useful. We just kissed. We were old enough not to be in a hurry and we knew that we had shared something that would last longer, could stay sweeter. It was like being back in high school. I remembered how the young pups had described him: "That's our coach. He's a legend."

When we talked about the Renaissance scholar who left the presidency of Yale for the green fields of summer, Bob had said the guy had no business in baseball. He didn't understand the game. As a fan, maybe, but not as an insider. Perhaps. I don't know enough to know.

I do know that A. Bartlett Giamatti understood and was able to express the deep appeal of baseball: "I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun."

Nine summers ago I met a man standing in a river. He taught me how to pitch.

---

Bob Welch died on June 9. He was 57 years old. Read more about his career.

Producer: Chris Mottram | Editor: Glenn Stout | Copy Editor: David Roth | Photos: Getty Images
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